The story revolves around two things, an unusual collection of 18th-century Limoges china, and also a 19th century aristocratic picture. As these things are passed, marketed, or stolen from one personality to an additional, a giddy round dance of excess begins to take shape, one which recommends that if background does not repeat itself, it certainly rhymes. Together with co-writer Gérard Brach, whose various other co-writing credit scores consist of Repulsion as well as Tess, Otar Iosseliani makes use of a feather-light touch to subject the futility of class as well as caste, making a bagatelle of the concerns of rich as well as poor alike.
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The story revolves around two things, an unusual collection of 18th-century Limoges china, and also a 19th century aristocratic picture. As these things are passed, marketed, or stolen from one personality to an additional, a giddy round dance of excess begins to take shape, one which recommends that if background does not repeat itself, it certainly rhymes. Together with co-writer Gérard Brach, whose various other co-writing credit scores consist of Repulsion as well as Tess, Otar Iosseliani makes use of a feather-light touch to subject the futility of class as well as caste, making a bagatelle of the concerns of rich as well as poor alike.
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