As he chronicles the final days of philosopher Walter Benjamin (1892-1940), whose works like The Work of Art in the Age of Mechanical Reproduction have come to be regarded as seminal in cultural criticism, Ferraro has not only tackled a historically and philosophically fascinating subject but also created a landscape film of incredible aesthetic value.
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As he chronicles the final days of philosopher Walter Benjamin (1892-1940), whose works like The Work of Art in the Age of Mechanical Reproduction have come to be regarded as seminal in cultural criticism, Ferraro has not only tackled a historically and philosophically fascinating subject but also created a landscape film of incredible aesthetic value.
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